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          | On 
            the Road with Rupert | 
         
         
          |  Rupert 
            at the WOMAD | 
         
         
          |  
             - 
              Deuxieme Partie (II) 
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       On 
        stage, Monsieur Denis Péan is simply dressed and could easily be mistaken 
        for a businessman if you bumped into him on the streets. This is a man 
        who is obviously immersed in the music he makes. He tapped at the keyboards, 
        soaring away on remarkable solos and regularly stopped to accompany Richard 
        Bourreau on the violin and Guy Raimbault on the accordion with his emphatic 
        gesticulating, pointing off the stage into the sky as if announcing the 
        arrival of some extraterrestrial. This is a man made for the stage as 
        his assertive vocals punctuate or lead the harmonies of the Berber sisters, 
        Nadia and Yamina Nid el Mourid. All the while the relatively unobtrusive 
        Nico Gallard on percussion and the Carribean basslines of Nicolas Kham 
        Meslien lay the substrata of Lo’Jo’s music. 
       And 
        since I’ve brought up the matter of the Mourid sisters I’ve just got to 
        tell you everything else. I sat there, totally entranced, transfixed by 
        the pulsing energy that the two of them exuded… To be honest, it was Yamina 
        I was ogling at. She is so 'yummylicious' that they should name a dessert 
        after her. She’s so hot I could have toasted marshmallows on her. She 
        oozes so much sexuality that they should bottle it and call it ‘Eau de 
        Yamina’. I’m sure you get the picture. Don't get me wrong, Nadia is as 
        womanly as they come but in an Earth Mother sort of way. When I closed 
        my eyes I could hardly tell the difference between the two as they shuffled 
        between lead and backup harmony. But I didn’t keep them closed for too 
        long as I didn’t want to miss any of Yamina. 
       She 
        wove a spell over poor old Rupert and quite definitely didn’t even know 
        what she had done. She twirled, twisted, and spun around the stage just 
        as Rupert’s head twirled and spun around with her. Sometimes she banged 
        away enthusiastically at a drum or other piece of percussion and sometimes 
        she played at a soprano saxophone. Other times she just clapped counter 
        time ala flamenco style and whipped her shoulder length curls around as 
        much as is possible with tight curly hair like hers. The crowd, along 
        with Rupert of course, would whoop excitedly as Queen Yamina held court 
        at the Green with the colonial elegance of the Fort Canning Center glowing 
        behind them. 
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